01 / THE MONOLITH SOUND
The high-gain sound you’ve been chasing.
Monolith is a high-gain guitar amplifier plugin for modern metal and extended-range playing, with four channels, two blendable cabinets and three reverb spaces. Its gain character takes the Mesa/Boogie Triple Crown as a reference and moves it into its own territory. Custom gain staging, carefully tuned EQ and dynamic low-end control deliver weight behind every chug and definition between the notes.
Push the boost. Shape the bite. Blend your cabinets. From tight rhythm to saturated leads, build your sound right inside your DAW.
Your guitar. Your interface. Monolith.
PLUG IN & PLAY02 / GAIN + SPACE
Distortion with weight. Reverb with restraint.
Four amp channels. Boost. Bite. Tight, focused lows.
Room. Plate. Church. Keep your pick attack.
03 / THE ACTUAL PLUGIN
Plug in. Find your weight.
04 / FOUR CHANNELS
One amp, four channels. Three of them are captures of a real amplifier taken before the cabinet; the fourth is the Monolith model itself.
Captured / CH1
Headroom before anything breaks up.
The captured clean channel. Chords stay separate, picking dynamics come through intact, and the cabinet and tone stack still do their work. Start here when the part needs to be heard rather than felt.
Captured / CH1.5
The edge of the clean channel, where it starts to give.
Between clean and gain. Dig in and it bites; back off the pick and it cleans up again. This is the channel that responds to your right hand rather than to the Drive knob.
Monolith model / CH2
The original Monolith voice.
Not a capture - this is the channel Monolith was built around, and the one every factory preset starts from. Weight in the low mids, saturation that holds together under a low tuning, and the widest useful range on the Drive control.
Captured / CH3
The captured high-gain channel, flat out.
The most aggressive of the four. Drive at 10 with Boost at 0 reproduces the recorded input gain exactly; lower the Drive and it cleans up from there rather than thinning out.
Switching channel leaves your tone stack, cabinets and reverb exactly where you set them, and each channel carries its own output trim so the change does not jump in level. Every preset below can be moved onto any of the four.
05 / JEDIPALM PRESETS
Five starting points, shipped with the plugin. These are not sketches: each one is a real saved chain, stored exactly as it sounded when it was played, so the preset you load is the tone that was approved rather than an approximation of it.
Each sets Drive, Boost, the reverb space and, where it matters, the tuning. None of them carries a channel, so a preset loads onto whichever of the four you already have selected: the same settings on Clean and on High Gain are two different tones, and both are one click away. Nothing is locked - move a knob and you are editing, not fighting the preset - and you can save your own alongside them.
THE DEFAULT
Deep weight. Saturated drive. Room to breathe.
06 / EARLY ACCESS
YOUR COMPLETE SOUND
Try Monolith and the other three engines together in the Complete Chain app. No credit card or automatic charge. Your seven days start on first activation.
TRY THE COMPLETE CHAIN FOR 7 DAYSMAC + WINDOWS · STANDALONE + DAW PLUGINS
BUY MONOLITH
$69USD / ONE TIME
Personal lifetime license. Two computers. Standalone app plus AU and VST3.
GET MONOLITH — $69Or take all four engines in The Complete Chain for $99.
Sign in to your account for available installers and your personal activation code.
MY DOWNLOADS & ACTIVATION CODEUse your checkout email. VST3 and Standalone share one computer activation.
BEFORE YOU PLUG IN